Over the years, when visiting St. Martin, we make numerous drives around the island to Marigot, where our favorite patisserie is — Sarafina’s. Often, we continue north, motoring up steep hills, passing roads to Friar’s Bay and Pic Paradise, descending into grassy pastures on the north side of the island to spend the day at Orient Beach. On this route, we drive by a flat, white building on the top of a busy hill, with a sign that says “ART – Minguet — ART GALLERY” — but we had never stopped. Until this year.
It is a building you may notice, but just briefly, as you whisk by it so quickly in the heavy two lane traffic — you need to pay attention here, both hands on the wheel and focused straight ahead, as there are often accidents and road hazards along this narrow and hilly stretch of road. But, the artist picked this spot on purpose — to be a “destination”, to be visited with forethought, not just for gawking and curious tourists who know nothing of the art world. THIS is a serious gallery. It’s for those who seek out art and will go to necessary lengths to visit.
We were on watch for the gallery as we ascended the hill, and when the opposing line of traffic gave us a quick break, and before the cars behind us started honking or whizzing by on the treacherous shoulder, we turned into the tiny parking lot — not much room, even for the itty-bitty car we had rented. The gardens and patio out front are loaded with Bougainvillea flowing over a pink picket fence and some cactus and other tropical plants brighten the entrance. There is a balcony above the garden and storefront, where there is obviously an apartment — the curtains are flowing out through the open window and there is sound of life above — a radio maybe, with a muffled foreign accent wafting down. As you enter the glass doors to the reception area, there’s a melange of art and marketing! Books on Minguet, postcards on Minguet, posters for sale, photographs and more. Behind the long shop counter, a woman with long dark hair and slight physique appears and introduces herself as Catherine Minguet – the artists daughter. She begins her speech immediately and continues to educate us on her father and his art for the next hour. (FYI — photos in this post were taken from a book we purchased. Catherine does not allow photographs in the gallery).
Alexandre Minguet (pronounced Ming-Gay) passed away in 1996 but is still sold worldwide and represented in several galleries, he owned this one in Rambaud Hill, St. Martin and one in his home country of France — she has inherited both. Catherine tells us that she travels between the galleries several times a year and is the main representative for his work. Her father was born in France in 1937 and was educated in the art academies there. She tells us that he fell in love with St. Martin and the hibiscus flower on his first visit to the island (he loved to travel and visited most of the islands of the Caribbean), and decided to set up part-time residence here. He was 59 years old when he passed away, and the photos of him show a rotund fellow, with a beard and balding head, sitting at an easel, wearing an apron, prepped to paint. In other photos, he in a group — at dinner with friends, maybe, with a slight smile and plump cheeks. He looks like a serious painter. And Catherine is serious about him, too.
As you peer through the tight and cluttered reception area, and down some wide steps, a large vaulted room filled with art awaits. And I mean, chock full! Shelves and racks and drawers of prints are at every turn. There is also a smaller room featuring other artists, alive and dead, from Europe and other locales, that Catherine collects and sells.
When I first entered the gallery, I looked to the left and was halted by a huge canvas (at least 10’x10′), a still life with a vase of flowers, soft pink and green watery strokes in the background, and French words, floating in the paint. I am transfixed. Catherine sees my interest in the painting and recounts her fathers explanation of it, as if it was her own — “he heard the flowers speak to him and express time and the space around them”, and on… and on….and on and on…a detailed story that frankly, I was not tuned into very well. I am internally apologetic for not listening to her more closely, but, at that moment, I was interpreting the painting for myself, which is what I tend to do when a beautiful piece flirts with me. I asked the price, but she didn’t give me a figure, which led me to believe it was not for sale (or extremely expensive) — from her description, it is dear to her heart, I am sure. She pointed out there were signed prints of the piece ranging from $2,000 and up. (In the end, Jim bought me a large postcard of it…..which I will eventually frame and enjoy in my home).
Minguet’s works are expressive and fluid — fast paintings with passion and color — and familiar objects like flowers, boats on the sea, shady beaches, and more flowers. I can imagine this round man, setting up for the day, inspired by a landscape at his feet, attacking his canvas without a word, maybe with beads of sweat on his forehead, a glass of icy water nearby to help cool him, and within mere hours, 5 paintings are signed and finished. It’s apparent that the man loved nature and St. Martin sang to him — more so than anywhere else. There are paintings of France, but St. Martin had the color and vibrancy he loved (and I get it completely). By the volume of work in this gallery, he was prolific and analytic in his approach to marketing and pricing his work. Catherine explains he learned to make lithographs himself to offer lower priced art and became quite skilled at the process (for those of you who do not know, lithograph prints are made from images on a large “litho” stone — a fine limestone slab, using oil and water resist, and a grinding wheel and grit that erases images so you can use the same stone over and over — it’s an arduous process — extremely antiquated compared to the digital prints we have today).
The entire time, while we browse the gallery, Catherine articulates and reiterates Minguet’s purpose in his work. She is an encyclopedia on her Dad’s thoughts! How many of us know our fathers that well? I was just as impressed with her passion for her fathers art, as I was with the art itself. What artist wouldn’t relish to have such representation? His passion has become hers. And although she says she is an artist herself, not one of her pieces is on display (we asked). We find out later, she has a brother, but obviously, she was her fathers favorite child.
One wall is lined with metal, low profile cabinets with wide drawers. Catherine opens the drawers and exposes hundreds of original paintings — mostly watercolors, each with a story — she shows them to us, holding them delicately and respectfully, one by one, lyrically giving us the title, place, date, and interpretation. She apologizes that more originals are not available for viewing — they are still in dry storage from the hurricane season. She takes them out of their frames and keeps them in a safe place several months a year. But there are prints for sale! At this point, I believe she thinks we are wealthy collectors — because we are knowledgeable about art and are so interested in the work — I feel that it is necessary to point out that we are emerging artists ourselves and cannot afford to buy, but appreciate all of the time she has spent with us. Catherine is simply delighted that we came to see her fathers gallery — she appreciates our appreciation, I believe. And from the sounds of it, she is doing well for herself, traveling the world, selling her dearest one’s art.
Upon our departure, my boyfriend buys a few large postcards and a book on Alexandre Minguet. Not a huge purchase to her, I’m sure, but she is gracious and asks us to please visit again. We are happy to have finally ventured into this artists world. The gallery on top of a hill, a destination worth stopping for.
As we descend the hills of Rambaud and continue towards Orient Bay, our focus diverts to food. “Let’s go somewhere new for lunch!” At the opposite end of the bay from our usual haunt (Club O), we decide to investigate a heavily mentioned restaurant/spa called Palm Beach. There’s a large parking lot and plenty of spaces open as we drive up — it is low season. Although I’m thinking “Palm Beach? Not very creative…..and kind of confusing for American’s as we think of the famous Florida Palm Beach when we hear the name…..” as we begin to walk the path to the restaurant it is obvious where the name derives. Hundreds of coconut bearing palm trees — a grove actually, stand majestic in front of the large facility. An oasis of shady palm trees. Pretty cool. (here’s their website: http://www.palmbeachsxm.net/ check it out!!)
The restaurant is rambling — more of a day spa or club. There is a beach bar, and wicker lounge chairs and cabanas on the beach, a massage shop and what looks like a yoga or meditation room (maybe doubling as a party room for events?). A gift shop is on site and the restaurant has two levels that are wide open to views of the beach. At the right side of the property this is a massive deck area with stacks of chairs and long picnic-like tables for big gatherings. We were shown to a 2nd floor table and given a recitation of the specials of the day — very French — like duck, foie gras and lobster. Very expensive. Instead, we order sandwiches off the printed menu, with prices more to our budget, but the specials sounded divine! We ask the waitress how many people Palm Beach can accommodate. She says that several buses come from the cruise ships daily and they can accommodate several hundred at a time. And at that moment, a bus load was entering the beach area to our right….American cruise ship tourists — about 20 to 30 of them.
My sandwich is a chicken and goat cheese beauty! Grilled chicken with a thick slice of goat cheese melted on a homemade bun and a luscious green salad — this gets registered in my mental recipe box! And Jim orders a burger and fries. If that sounds mundane, you are oh so wrong! Burgers in paradise, remember? They were very good, but the location was spectacular and made the meal taste even better.
As we munch on our lunch, the people watching is superb! The American cruise ship crowd is frolicking in the surf — which is quite robust with a stiff wind this afternoon. A few women are caught by surprise as waves slam them into the shore and tumble them onto the beach — their husbands (I am assuming) enjoy the wreckage of woman and wave, and belly laugh at their mates. The women are unphased, laugh at themselves and attempt to enter the ocean again. This goes on for a while. Eventually, they end up in a group beyond the breakers, bright white skin, bobbing and laughing in the cerulean blue water. Eventually they venture back to shore to sip on their rum drinks and have their lunch. It’s sad to me to think that they enjoy this paradise for only a few hours — then get back on a crowded ship full of humans just like them. I did a cruise before, and it’s just not for me. I like to learn a place, dive into it, become part of it and immerse myself in the culture, food and people. And I realize, that a cruise ship is about low-cost and tasting different places. I guess I like to devour….not taste.
At the end of our meal we are presented with a tall slender bottle of homemade banana rum — on the house. We are not big drinkers, but it was a sweet and yummy treat. An authentically island way to end lunch among the palm trees.
Because we ate at their restaurant, we get to lounge for free on their beach. We settle into two chaises with white cushions under a white umbrella at the far end of the beach from the bus load of tourists. A nap is in order. The surf is too strong for a dip but it keeps us cool as we relax on our chairs. Palm Beach is a definite revisit — it would be fun to see this large facility filled to the brim and rockin’. But today, we nap in the breezy sun, and savor this island paradise. Minguet’s paradise.






































































































































